The wife and I are big fans of fantasy and sci-fi television. We try to seek out anything that has a vast supernatural conspiracy or a fleet of alien ships or a youth with a magical secret and epic destiny.
Thus, we have been watching the British series Merlin. It's been a weird ride and at the moment I'm sad to say that we're watching it for the entertainment value - just not the entertainment the writers had in mind.
The first series had a lot of promise. It establishes that the main character, Merlin, is something of a magical prodigy. Under the guidance of Camelot's court physician, Merlin must learn the secrets of magic in a kingdom where practicing magic is punishable by death. In one episode he saves young Prince Arthur's life and in reward, King Uther rewards him by making him Arthur's personal servant.
The most interesting choice has been the Lady Morgana. Anyone who knows even a little bit about the Arthurian legends (which includes me - really I only know a little bit) knows that Morgana is something of a villain. But in this nice little series she's the daughter of one of Uther's most trusted knights - a knight who fell in battle long ago and so Uther has been raising her as though she were his own. She's obviously got some magical talent manifesting itself in the form of prophetic dreams, but isn't really aware of it. Also, she isn't hard on the eyes.
Uther Pendragon is a treat - or perhaps I should be gushing about how wonderful it is to see Anthony Head in anything. Mr. Head is too good for this show. As Uther he portrays a king who feels a duty to protect his kingdom from the evils of sorcery - a zeal influenced over his own guilt over a spell of his own gone wrong with tragic consequences in the past.
By far the strangest choice has been Guinevere. Everything to do with her. There are three really strange choices and I don't know which is the most puzzling. The fact that she's a serving girl, that she's not terribly pretty or that she's black. So she's a peasant whereas the various Guinevere myths have her being of one noble birth or another. The actress, Angel Coulby, is pretty enough but not jaw-droppingly attractive - which is really odd when other characters act like she's the most beautiful person ever made. One wonders if her role was mixed up with Katie McGrath's. She is also black, which not only Guinevere certainly wasn't, which is a surprisingly populous heritage in old Camelot. Plenty of people emigrating to Camelot from the African continent and the middle east to Camelot - and apparently for generations given the complete absence of anything but modern British accents.
The first series opens up as very much Camelot 90210 with disappointingly uncreative monsters. The Producers of Merlin take two routes with monsters. They either take an everyday animal and make it very large or they take a mythical creature and make it boring.
Letting things go has been my greatest challenge. Each and every episode flies in the face of anything we know about history. Everyday average peasants in this show have a bizarre preoccupation with bettering their stations in life as though the thought crossed any of their minds. Here's a lesson from history by a layman (me): So you're living in the middle ages and you want to know what you're going to do with your life. Well, are you a woman? If you are then you will get married and have babies and perform labor that will never earn you any respect, or if your parents have enough money but you can't be married, a nunnery will buy your dowry. Are you a man? Well then you'll probably do what your father did or he'll convince an artisan to take you on as an apprentice and you'll do whatever he did. Yet in this show Peasants are wandering around hoping to prove themselves and improve their station in life, having existential crises about identity and destiny. People from that time didn't worry about what they would do with their futures; they barely thought of themselves.
Then there's impertinence. In every episode you see the commoners getting extremely familiar and demanding of Arthur, Uther and Morgana and the only peasant who ever gets into any real trouble for it is...Merlin! Every episode I see people saying things to their rulers that would have gotten actual peasants slapped at best, executed at worst.
So every episode I'm rolling my eyes and clenching my jaw and mocking the screen and then suddenly, holy shit suddenly, in the last few episodes of the season, it becomes a good show! Arthur and Merlin start to develop a friendship heavy with portent. Morgana and Uther share a moment that strengthens their bond and makes it obvious that right and wrong aren't usually simple concepts. Unfortunately overcoming the Big Bad seemed an afterthought to the writers and was accomplished easily and without any of the consequences Merlin was warned of.
Shelly and I were very excited to start the second series. We were immediately disappointed. They took all that good will that they had built up with us over the first series, pantsed it, and laughed at it.
Morgana has begun displaying a magical talent of her own and for absolutely no good reason the ancient and wily dragon and the wise old physician and the wise old physician's eyebrow all agree that she shouldn't be told that she has magic powers. Her magic is frightening her, driving her to take rash actions and coloring her perceptions of people, and they think she should be kept in the dark! Why? Because she's a girl! The writers don't know how to make a woman who is in reasonable, measured control of her power.
Bradley James as Arthur is not an unattractive boy. However, somehow in the second series he manages to find numerous excuses for shirtless dialogues.
Uther, in a stunning display of his inability to learn from history, always refuses at first to believe that the threat to his kingdom is magical. If it's brought to his attention he denies it until it's either impossible or too important to the plot to deny any further.
The biggest problem with the second series so far is that the writers are striving for a zero-sum result at the end of every episode. This is a thing that happens in television shows were nothing is lost and nothing is gained so that they can start the next episode fresh and in familiar territory. It's frustrating because very little if any character development happens. The series premiere was an excellent example of why it's a problem in a show where characters are supposed to be developing. In the first episode Merlin must defeat an ancient and powerful sorcerer, reincarnated in a new body. He goes to the dragon in the cave and the dragon promises to give him a spell that has never been taught to any mortal man. The writers could have really gone somewhere with that. One spell? I was excited. What would it do? Destroy the sorcerer's soul? Absorb him? Overwhelm him with pre-human magic? Nope, it put the evil sorcerer back in the little crystal that he came from in the beginning of the episode. Zero sum.
So we're going to keep watching it. No worries there. No doubt they're perfectly happy to know that we're watching, they don't need to know why we're watching, but for the sake of posterity (which is all this blog is for so far) at least half of the reason we keep watching is to mock it.